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News — 21 October 2026

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Fashion Scout closes 20th-anniversary Ones To Watch programme with Edition 03

Fashion Scout concluded Ones To Watch Edition 03 at London Fashion Week, featuring seven emerging designers exploring heritage, craftsmanship and innovation.

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The presentation completed a three-part programme celebrating two decades of international talent discovery. Across its history, Fashion Scout has supported more than 1,500 designers from over 70 countries, providing opportunities to connect with international press, buyers and fashion industry professionals.

For Edition 03, the creative approaches ranged from Sri Lankan textile traditions and Ghanaian architecture to Irish cultural symbolism, Spanish craftsmanship and reconstructed materials. Together, the designers demonstrated how emerging fashion talent continues to reinterpret established techniques while developing individual design languages.

Seven emerging designers explore craft and cultural identity

Mixed-heritage British designer BAM-BAM, now based in Indonesia, presented tailored streetwear shaped by original artwork and personal expression.

The designer’s self-developed technique, Abstract Cubist Patternism, translates hand-drawn illustrations into distinctive garments. Working alongside a small artisan team, BAM-BAM combines artistic experimentation with tailored construction, using clothing to explore individuality and visual identity.

Sri Lankan-born, England-based designer Venuka Wickramaarachchi brought traditional craftsmanship into contemporary luxury through Diamanté by Venuka.

The label combines sculptural silhouettes with textile manipulation, drawing on Sri Lankan techniques including Beeralu bobbin lace and Dumbara Rata weaving. These established crafts become part of a modern design vocabulary, connecting cultural inheritance with experimental construction and contemporary fashion.

Hurricane B, established in Italy in 2018, approached the runway through sculptural femininity and futuristic design.

The label works with refined materials, experimental detailing and defined silhouettes to explore the relationship between sensuality and strength. Its approach combines Italian craftsmanship with contemporary references from fashion, art and design.

Meanwhile, Ghanaian designer Mako Akolam presented KOFFI MAAKO, a label rooted in architecture, cultural identity and storytelling.

The designer draws inspiration from the geometry of Gurunsi architecture, translating structural patterns into garment construction, proportion and handcrafted details. Through made-to-order pieces and limited production, KOFFI MAAKO connects architectural references with individual expression.

The result is a design practice in which clothing carries cultural references through both its construction and visual composition.

Reinterpreting tradition through contemporary fashion

Irish designer Niamh McGovern explored the relationship between traditional Catholic ceremony and contemporary youth culture through her label NMCG.

Corsetry and tailoring provide the foundation for exaggerated silhouettes and playful proportions. The designs examine the tension between inherited religious symbolism and a younger generation’s changing relationship with tradition.

Personal memory also plays a role, allowing McGovern to approach familiar cultural references through contemporary construction rather than historical reproduction.

Spanish label Raxada, founded by María Puente Silva and Marina Palacio Silva in northern Spain, presented a practice deeply connected to the heritage of Asturias.

The designers draw on regional landscapes, mythology and ancestral craftsmanship, working with local artisans to preserve and reinterpret traditional techniques.

By introducing these methods into contemporary clothing, Raxada explores how regional knowledge can remain relevant within modern fashion. The label also places collaboration with skilled craftspeople at the centre of its creative process.

London-based designer Yukito Lim brought a different perspective through the reconstruction of existing garments and materials.

Lim’s work examines memory, displacement and the emotional relationship between clothing and the body. Deadstock fabrics, second-hand garments and discarded textiles become the foundation for new sculptural forms.

Experimental textile techniques allow traces of the original materials to remain visible. As a result, reconstruction becomes part of the garments’ narrative, connecting material reuse with ideas of memory and identity.

Fashion Scout celebrates two decades of emerging talent

Edition 03 marked the conclusion of Fashion Scout’s three-part Ones To Watch programme for its 20th-anniversary season.

Across the final presentation, designers approached cultural identity and craftsmanship from different perspectives. Traditional textile techniques appeared alongside contemporary tailoring, sculptural construction, streetwear and experimental material reuse.

The showcase reflected the programme’s longstanding focus on designers developing their professional identities and exploring new ways to bring independent fashion to an international audience.

Fashion Scout produced the show, with Martyn Roberts overseeing show production and Rebekah Roy responsible for styling.

Sally Beauty and UNITE Hair supported hair, led by Narad Kutowaroo, UK Creative Director and Ambassador for UNITE Hair. AOFM Makeup Academy provided make-up, with Mandy Gakhal leading the team.

Black PR Global handled public relations, while People Pleaser Salads provided backstage food and Propress supplied steamers. Chris Yates photographed the presentation.

With the completion of Edition 03, Fashion Scout closed an anniversary programme that brought emerging designers from different creative and cultural backgrounds together.

The final showcase reflected the continuing importance of independent fashion platforms in providing professional opportunities, international visibility and space for designers to develop their own creative identities.

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